Works can be returned to me in their original condition within two weeks of purchase. However, neither the original or return postage will be refunded.

An earlier work in an ongoing investigation into trace, residue and the instability of fixed meaning. Beneath layers of aqua, greys and blues, collaged cuttings from the London Evening Standard — stories written and edited during Brett's years as a journalist — are disrupted and partially absorbed by the painted surface. The marks don't illustrate the headlines; they erode them, leaving something between landscape and archive.